Episode 5: "Mystery Train"
Locale: Memphis
Beale Street in Memphis was to blues what 52nd Street in New York was to jazz. Packed clubs, street musicians, all-night card games, ladies of the night, fights, and some of the best music heard anywhere added to the color of Saturday night on Beale Street.
Artists who launched careers in Memphis include B.B. King, Bobby “Blue” Bland, Sonny Boy Williamson, Ike Turner, and Little Milton.
The show concludes with a live recording by Richard Johnston, winner of the Best New Artist Handy, from the 2003 W.C. Handy Awards, held every year in Memphis to honor the best in blues music.
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Supplemental Audio:

B.B. King (1 of 2)
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B.B. King (2 of 2)
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Bobby "Blue" Bland (1 of 2)
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Bobby "Blue" Bland (2 of 2)
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Richard Johnston Keep Your Lamp Trimmed and Burnin'
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Rufus Thomas (1 of 3)
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Rufus Thomas (2 of 3)
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Rufus Thomas (3 of 3)
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Supplemental Material:

Names Discussed in this Episode
Links courtesy of All Music Guide
Johnny Ace,
The Beale Streeters,
Bobby "Blue" Bland,
Jackie Brenston & His Delta Cats,
Johnny Cash,
Cedell Davis,
Jim Dickinson,
The Fabulous Thunderbirds,
Earl Forest,
Rosco Gordon,
Richard Johnston ,
B.B. King,
Jerry Lee Lewis,
Robert Jr. Lockwood,
Taj Mahal ,
Brownie McGhee ,
Aleck "Rice" Miller,
Little Milton,
Charlie Musselwhite,
Carl Perkins,
Elvis Presley,
Jerry Ricks,
Booker T. & the M.G.'s,
Sonny Terry,
Sonny Terry and Brownie McGhee,
Ike Turner,
Rufus Thomas,
John Lee Williamson,
Sonny Boy Williamson I,
Sonny Boy Williamson II,
Kim Wilson,
Howlin' Wolf
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Producer's Notes
Episode 5: “Mystery Train”
In the opening to this episode there is a short soundbite from Blues and R&B singer/guitarist Little Milton, who was in Memphis in the 1950s and remembers “…having fun and making money. Who wanted to sleep?” That is as concise a recipe for Rock and Roll as I’ve ever heard.
While there is economic and social history that helps explain why Memphis was ground zero for the evolution of Rock and Roll from the Blues, record producer Jim Dickinson offers a less scientific explanation (which did not make the final edit of the show). Centuries ago, before white men settled in the area, Dickinson said there was a buffalo trail that ran across the future Union Avenue, right over the plot of land that would become Sun Records where Johnny Cash, Jerry Lee Lewis, Howlin’ Wolf, and Elvis would make their first recordings. “I mean,” said Dickinson, “even the buffalo knew there was something special about Memphis.”
We, the editorial team for The Blues radio project, do not subscribe to the teachings of Magick, but the longitude and latitude of Memphis does seem to have a magnetism that attracts not just bison but hound dogs (Elvis via Big Mama Thornton), howlin’ wolves, and even a stage-trained chicken named Butch.
Peter Crimmins
Senior Producer
Ben Manilla Productions
Citations:

Rufus Thomas, "Bear Cat", Sun Records: 25 Blues Classics (Varese 66254), ©2001 Varese Saraband | Buy »

Sonny Boy Williamson, "Do It if You Wanna", King Biscuit Time (Arhoolie 310), ©1993 Arhoolie | Buy »

B.B. King, "Every Day I Have the Blues", Singin' the Blues / The Blues (Flair 077778629627), ©1991 Flair Records/Virgin Records | Buy »

Bobby "Blue" Bland, "Farther Up the Road", Greatest Hits, Vol. 1, ©2000 MCA | Buy »

Walter "Shakey" Horton, "Jumpin' Blues", Blues Masters Vol. 12: Memphis Blues (R2-71129), ©1993 Rhino Records | Buy »

Richard Johnston, "Keep Your Lamp Trimmed and Burnin'", Recorded Exclusively for The Blues, ©2003 Experience Music Project and Ben Manilla Productions

Rosco Gordon, "No More Doggin'", Just a Little Bit (NVB2-801), ©1993 Vee-Jay | Buy »

Memphis Slim, "Reverend Bounce", Memphis Slim (MCA 9250), ©1986 MCA/Chess | Buy »

Jackie Brenston and His Delta Cats, "Rocket 88", I Like Ike! The Best of Ike Turner (R2 71819), ©1994 Rhino Records | Buy »

B.B. King, "Three O'Clock Blues", King of the Blues (MCAD4-10677), ©1992 MCA Records | Buy »
Major funding for the radio series comes from Volkswagen.

The Blues is a co-production of EMP Radio and
Ben Manilla Productions, in association with
WGBH Radio, Boston. Produced by Peter Crimmins and
Matt Bauer. Executive Producers: Robert Santelli and Ben Manilla. Executive in charge for WGBH Radio:
Robert Lyons.
Credits